(1950) JL: Gloria Swanson, in a legendary
and much-imitated
performance, plays faded silent-screen star Norma Desmond, a deluded
diva who provides lavish funeral services for her pet monkey and keeps
her ex-husband (Erich von Stroheim) around as her butler and
chauffeur. Down-and-out screenwriter Joe Gillis (William
Holden)
is her kept man, engaged in writing a "comeback" film for Norma that he
knows is a stinker. Morbidly grotesque and darkly comic,
Billy
Wilder's SUNSET BOULEVARD is the greatest film ever made about the
sordid side of Hollywood. It's a dense masterpiece that
reveals a
new layer of weirdness and perversion with each viewing, and it's more
fun than a film like that should ever be.
JB: One of the best
movies about movies, Billy
Wilder's nearly uncategorizable SUNSET BOULEVARD is part comedy, part
love story, part film noir thriller and part creepy old house horror
movie, with a touch of psycho killer thrown in just for
laughs.
Gloria Swanson is pure perfection as a former screen idol who still
imagines she is big star ("It's the pictures that got small"), playing
her part with the kind of dramatic overkill only a real silent film
actress could manage without lapsing into unintentional
self-parody. She is matched by William Holden who plays the
part
of the down and out screenwriter with the jaded coolness of a Bogey
private eye. Best know for its ironic ending ("I'm ready for
my
closeup") and its unique narrator - a corpse - SUNSET BOULEVARD is a
must-see for any student of film history.
Billy Wilder The Stuff You Gotta Watch
ADD ANOTHER QUOTE AND MAKE IT A GALLON
"And I promise you I'll never desert you again because after Salome, we'll make another picture and another picture. You see, this is my life! It always will be! Nothing else! Just us, the cameras, and those wonderful people out there in the dark!... All right, Mr. DeMille, I'm ready for my close-up!"