One of Fritz
Lang's
greatest films noir, SCARLET STREET stars Edward G. Robinson as a
lonely bank clerk who becomes tangled in a complex web of embezzlement
and murder when he succumbs to the temptations of spider woman Joan
Bennett. Dan Duryea and Bennett play two of the most
heartless
and contemptible screen villains of the '40s, while Robinson is utterly
convincing and heartbreaking as a kindly soul unfamiliar with a dark
side he never knew he had. As often noted, SCARLET STREET was
the
first Hollywood feature in which the real murderer escapes
punishment. If living in a private hell of poverty and
endless
torment can be considered escaping punishment, that is. A
harrowing film that reflects Lang's mastery of German expressionism, in
that the film itself, rather than the characters therein, attempts to
answer the moral questions it raises. Some prefer THE WOMAN
IN
THE WINDOW (1944), an exploration of similar themes by Lang and the
same leading actors, but SCARLET STREET more than holds its own among
the classics of noir.
- JL
Film Noir Edward G. Robinson The Stuff You Gotta Watch
SPOILERS FOR THE WOMAN IN THE WINDOW and SCARLET STREET
In both films:
Edward G. Robinson plays a middle-aged married man infatuated
with a young woman.
The young woman, played by Joan Bennett, is of questionable
morals.
Dan Duryea plays a lowlife out for some quick cash through shady means.
Robinson's character commits a murder by stabbing the victim with a
nearby household object..
Robinson's character provides money for the young woman.
An ornate pocket watch is prominently displayed at some point.
Robinson celebrates (drinks and cigars) with close colleagues near the
beginning of the film.
There is a painting depicting Joan Bennett.
At some point, Robinson views the painting through a storefront window
from the street.
Dan Duryea's character dies at the hands of the law.
Robinson attempts suicide.
Thomas E. Jackson plays a law enforcement officer.