A somewhat neglected gem from
Hitchcock's early American period, SABOTEUR is one of the director's
most suspenseful and deadly serious variations on his familiar
man-on-the-run storyline. Though it has several humorous moments,
a wartime film about Nazi spies operating in America was not a context
for breezy wit in the manner of NORTH BY NORTHWEST. The film
opens in an airplane manufacturing plant that is soon engulfed in
flames, the result of a Nazi saboteur's plot. As everyone pitches
in to fight the blaze, plant worker Robert Cummings tosses a fire
extinguisher to a coworker, unaware that it has been loaded with
gasoline by the saboteur. When the worker is killed in the
resulting explosion, Cummings is the number one suspect in the sabotage
plot. He spends the rest of the film on the run and uncovers an
intricate web of spies operating among the high society of New
York. The climactic scene atop the Statue of Liberty is perhaps
more famous than SABOTEUR itself. Hitchcock was not especially
satisfied with Cummings's performance, stating in later years that the
actor had the sort of face better suited to comedy than drama.
Actually, Cummings is not bad at all, although certain highly emotional
scenes were clearly beyond his range. In such a riveting and
suspenseful film, such considerations are but minor flaws.
½ -
JL
Bob Cummings and Priscilla Lane often get a bad
rap for their work in SABOTEUR, but I find them both immensely
appealing. Cummings may lack the star power that a Cary Grant or
Gary Cooper would have provided, but that lack of star power only hurts
the film in one way - there is nobody with enough screen power to gloss
over the plot holes, long-winded speeches and convenient coincidences.
If ever there was a typical Hitchcock film, it is SABOTEUR.
Man on the run for a crime he didn't commit, trying to track down
the real villain. Cool blonde who at first loathes the hero and
then loves him. Hero trapped at a public event and doing something
nutty to achieve escape. Battle at a national monument.
It's all here in SABOTEUR, a fun and exciting film that has
always been overlooked because of a film that came before it (REBECCA) and the film that followed immediately after it (SHADOW OF A DOUBT). It's othing more than the Master running through his usual bag of tricks, but it's still the Master. 