In the never-ending debate as to who was the best Sherlock
Holmes, the names of Basil Rathbone and Jeremy Brett come up most
often, while the name of Ronald Howard gets lost in the shuffle.
In 1954, Howard was Holmes to millions of television viewers. The
series, produced in France and aired in America, lasted for 39 episodes and featured Howard (son of actor Leslie Howard)
as the great detective and Howard Marion-Crawford as his trusted
colleague Dr. John Watson. Both men brought much to their
respective roles. Howard had a warmth and charm to his Holmes
that Rathbone and Brett often lacked, making Holmes more human and less
of an automaton. He excelled at playing an energetic Holmes whose
mind could be on two or three things at once. Overall, he had the look, he had the
voice and he he had the acting chops to create one of the more
memorable depictions of the world's most famous fictional character.
Howard Marion-Crawford was a blustery and hot-headed Watson, but an intelligent, fun-loving loyal one. There's a bit, but only a bit, of Nigel Bruce in him, but in general he comes close to the Dr. Watson one finds in the original stories and novels, a Watson you would probably enjoy sharing a pint with at a local pub. It's regrettable these two actors never had the opportunity to do a Sherlock Holmes feature film. They worked wonderfully together and had fun with the mostly intelligent scripts that featured sharp and funny dialog like this:
WATSON: "Well, he's fiftyish, sandy-hair, medium build..."
HOLMES: "Is that all you observed? No characteristics?"
WATSON: "Well, now really, Holmes, when I had the chance of examining
him on the bed the most obvious characteristic was that he was dead!"
The production featured a beautifully recreated
Baker Street set as well as a handful of sets that were used again and
again. Several actors were also called upon to play various roles
in multiple episodes. The stories themselves were occasionally based
on the original stories, including a nicely done version of "The Red
Headed League" that unfortunately has Holmes only half-explaining how
he solved the
mystery (read the short story for the full details- it's one of Arthur
Conan Doyle's best) and a severely
truncated but nonetheless enjoyable version of the novel The Valley of Fear,
here whittle down to 26 minutes (no mentions of Professor Moriarty, no
Birdy Edwards, no Valley of Fear!) and titled "The Case of the
Pennsylvania Gun". The pilot episode
features an original plot but offers Holmes fans something we've rarely
seen before - the historical moment depicted in the novel A Study in Scarlet where Watson meets Holmes for the first time and they agree, for economic reasons, to share a flat at 221B Baker Street.
The series used mostly original stories, many of them rather clever, such as "The Case of the Belligerent Ghost" in which Watson is accosted on the street by a man he just pronounced dead an hour before, or just plain fun like "The Case of the Neurotic Detective" in which Watson has every reason to suspect Holmes of being the master criminal whom all of Scotland Yard has been looking for. Some of the mysteries are rather simple, but they are done with flair, even if the dramatic closeups are often overdone (see "The Case of the Reluctant Carpenter" for two minutes of nothing but characters looking suspiciously at each other and then at a clock!), As with every series, there are misfires ("The Case of the Texas Cowgirl" is painful to watch) but overall, the stories and characterizations were highly respectful of Conan Doyle's original creations. There were few "name" actors to appear in the series, with the exception of Paulette Goddard, who played the title character in "The Case of Lady Beryl", but film and TV buffs will enjoy spotting Michael Gough, famous now for playing Alfred in the Tim Burton Batman films, and Natalie Shafer, who would go on to play Lovey Howell in Gilligan's Island.
As with the Rathbone-Bruce films of the 1940s,
these episodes have a core cast and a period charm that can should
allow all but the most die-hard Holmes purists to overlook any liberties
taken with the characters. It is a series that should
deserves to be collected and enjoyed as much as the Basil Rathbone
films or the Jeremy
Brett television series. It's elementary - Ronald Howard and
Howard Marion-Crawford rank among the best Holmes and Watsons ever.
½ - JB
THE SID FIELDS OF BAKER STREET
The
producers tended to reuse certain favored actors and actresses in
different roles throughout the 39 episode run. Even Archie
Duncan, who played the eternally confused Inspector Lestrade in many
episodes, was cast as another character in a handful of late
episodes. The hardest working member of the Sherlock Holmes stock
company had to be Eugene Decker, who appeared in seven different
episodes, and was equally good in comic or serious roles. Here he is pictured as the tempermental musician
in "The Case of the Shy Ballerina". Among other roles in the
series, he can be seen as the crooked pawn shop worker
Vincent Spalding in "The Case of the Red Headed League" and the
psychiatrist Professor Fishblade (not a typo!) who attempts to learn
what makes Holmes tick but is driven to a near nervous breakdown
himself by the detective. (For those who don't know who Sid
Fields was, he was a great comic who played
landlord "Sid Fields" on the 1950s Abbott and Costello show, where he
also often played various relatives of Sid Fields, who just happened to
look exactly like Sid Fields!)