(1948) The story
of an artist who falls in love with a mysterious young girl
who seems to live in the past, PORTRAIT OF JENNIE is much more loved
today than it was back in 1948. The plot is slight and
predictable, but the direction and cinematography lift the
film up from the level of the average episode of The Twilight Zone it
often feels like. To create a mood that would fit a love
story
that transcends time and logic, producer David O. Selznick, director
William Dieterle and cinematographer Joseph H. August employ several
intriguing effects including shooting some scenes through canvas and
tinting some others. To cap things off, the final shot
of the film is in
full Technicolor. PORTRAIT OF JENNIE may also be the first film
to
feature the credits only at the end of the film and
not at
the beginning. Watch it for its other-worldly love story or
its style.
½
- JB
Drama The Stuff You Gotta Watch
EVERYTHING WAS A NICKEL BACK THEN
In 1947, my father and his best friend, both in high school, received 5 dollars apiece (which was a lot of money back then) for the use of their skates when it turned out that some extras could not find skates that would fit them in the Central Park scene. According to my father, neither Jennifer Jones nor Joseph Cotten actually did any skating but were pulled along the ice on a wooden wagon.