David Zucker, brother Jerry and Jim Abrahams were responsible
together and separately for a particular genre of comedy in the 1980's
and '90s, the scattershot, gag a minute spoof comedy.
The
idea was to fill a film with so many gags that the audience wouldn't
have time to sort out the good ones from the bad. The best of
these films, such as AIRPLANE and the THE NAKED GUN, are now thought of
as modern-day comedy classics. The worst of these films are
best
forgotten. Then there is BRAIN DONORS, a film produced by the
Zucker Brothers that got lost in the shuffle. Paramount was ready to
promote it heavily, but when the Zuckers left the studio, it was dumped
into theaters quickly and then withdrawn just as quickly.
BRAIN DONORS (a horrible title more suited to a horror film) was the Zuckers' sincere remake of the Marx Brothers A NIGHT AT THE OPERA, complete with a trio of zanies, a rich dowager, and two young lovers. Rather than attempt to actually recreate Groucho, Harpo and Chico, as sometimes has been done on stage, the Zuckers simply invented three new characters loosely based on the original trio. John Turturro plays Roland T. Flakfizer, an ambulance-chasing lawyer (literally) who attempts to make a living by wooing and fleecing a rich widow. Bob Nelson is the often silent Jaques, her gardener, and Mel Smith is an immigrant Cockney cab driver who becomes the manager of an up-and-coming ballet star. These three characters run around like madmen for an hour and a half, causing trouble, cracking jokes and helping the two young lover achieve success in the ballet world.
Your enjoyment of this film may depend
on how much you
can take of an overbearing, manic John Turturro as the Grouchoesque
Flakfizer. Sadly, too many of his lines rely on
crude sexual
innuendo, but he has so many jokes, you're bound to find some
of
them amusing. The best of them would have fit Groucho
perfectly,
such as "Someday you'll have my children. In fact, they're outside in
the car if you want them" or his answer to the boastful dancer
who
brags that his ballet shoes are in the Louvre in Paris: "Big deal -
last year I left a raincoat in Cleveland." And although we
never
get one of those dialogue scenes where time stops for three minutes as
Groucho and Chico run verbal rings around each other to no avail, there
are plenty of rapid-fire exchanges that bring back memories of the
Marxes, the Stooges and Abbott and Costello:
"And that spells 'cash' with a
capital..."
"K!"
"You should go back to school."
"I hated teaching!"
Bob Nelson and Mel Smith ably fill the roles that
would
have gone to Harpo and Chico, with Nelson, a standup comic with a
talent for sight gags, often stealing the show. Many of the
gags are lifted from the Marxes, sometimes with
variations.
The film even begins with Bob Nelson doing Harpo's alarm clock smashing
gag from OPERA, with the twist of Nelson then sweeping the broken clock
into a drawer and retrieving a brand new one from the drawer beneath.
Although there is a nod to A DAY AT THE RACES
with the three leads pretending to be doctors, the resemblance to OPERA
is near-complete, with the trio winding up at their lowest point (in
jail, as in A
NIGHT IN CASABLANCA)
before storming back, invading the high society function (a ballet in
place of the Marx's opera) and replacing the smarmy villain with the
supposedly charming newcomer. It worked better
in 1935, when audiences were supposed to care about the
plot. Unfortunately, the two young lovers are even more
forgettable than any pair you can think of from the Marx
Brothers films, and certainly don't have the charm of Allan
Jones
and Kitty Carlisle from OPERA. By the same token, Nancy
Marchand,
a wonderful actress, is merely passable as the Margaret Dumont-like
Mrs. Oglethorpe.
It is rare that a movie is
both underrated and
overrated. Because BRAIN DONORS was virtual unknown and
unseen
when first released, some fans, discovering it on
video, declared
it one of the funniest comedies ever. It isn't.
Other see
it as a poor mishmash that trashes the memory of the great comedy teams
gone by. It isn't. It's a heartfelt,
wacky little
whirlwind of a comedy that has many bright moments, many dull ones, and
a handful of unforgettable gags. You could do worse.
- JB
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